Peter Yarrow died this week.
An unusual person, complex, beloved, he was one of the musicians who wrote the song track for so many of our lives.I’m not someone who knows many celebrities – unless you count my seventh grade interview, at Grossingers, of Jayne Mansfield for the Peck Observer (and even now, long after she’s been gone so she can’t dispute this, I would never claim Jayne Mansfield as a friend. What she did was answer my endless seventh grade questions with patience and grace, all the while wearing a leopardskin bikini. A picture I’ll never forget.) But I did know Peter Yarrow. Our circles overlapped.
We met at Clergy and Laity Concerned, one of my first jobs in New York. Peter was a good friend of Carl Rogers and Debra Wiley, two anti-war activists.They’d all become close in their fight against the Vietnam War.
Later, I saw Peter at the Upper Westside Seder of Paul and Rachel Cowan (celebrities in this neighborhood). Paul, a journalist for the Village Voice, was the son of Louis Cowan, a TV producer who became the head of CBS, His mother was an heir to the Spiegel catalogue fortune. Paul loved people, and had countless friends. His parents were Jewish, and very assimilated. After his parents died in a fire, he had a crisis of belief, and began to study Judaism with an Orthodox Rabbi on the Lower East Side. His beautiful book about the religious path he chose is still in print: An Orphan in History.
Paul and Rachel met in the Peace Corps. Rachel converted to Judaism in 1980, and later became a beloved Reform Rabbi. Together they worked to revitalize a synagogue on the Upper West Side, called Ansche Chesed. They wrote a book together: Mixed Blessings: Marriage between Jews and Christians.Their house became a center for Jewish activities, including an annual Seder. Their friend Peter Yarrow always sang at their annual Seder.
Peter himself was the son of well-educated Ukranian Jews. His parents divorced when he was young. Vera, Peter’s mother, married the executive director of Central Synagogue. His father converted to Christianity.
Peter began singing when he was at Cornell. There he met Lenny Lipton, another singer/songwriter who wrote, with Peter, Puff the Magic Dragon. Peter knew he wanted to sing early on. With the help of the agent Albert Grossman, who wanted an updated version of The Weavers, Peter recruited Mary Travers. He also asked Noel Stuckey to join them. Stuckey’s middle name was Paul. So Peter, Paul, and Mary was born. Lemon Tree was the first song they sang together. Then, the 1949 song Pete Seeger wrote with Lee Hays, If I Had a Hammer, about the wrongful imprisonment of Harlem City Councilman Benjamin J. Davis Jr.
Peter, Paul and Mary. Quickly they became wildly successful. And because I have always organized events, I would often ask Peter to sing.A lifetime activist, especially notable for his work against the war in Vietnam, but then later, for a slew of causes including unions and organizing, two of my own issues, Peter would always say yes.
I haven’t known many people who always say yes.
Even a year ago, when he was already sick with kidney cancer, I asked if he wanted to sing at the unveiling of the remarkable permanent memorial for the Triangle Shirtwaist Factory Fire, at the very spot where the fire took place.Even then, he didn’t say No, If he felt up to it, he’d come.
Last spring, when he was even weaker, he sang at a gorgeous tribute at B’nai Jeshurun Synagogue for his friend Bert Pogrebin. And although he was fragile, his voice quieter, he was beautiful too. Moving and present.
When he died I thought about Yes and No. Why some people are in the Yes category (They will always be happy to talk. Always be happy to meet for a good drink, a cup of coffee, a Negroni) and some people always say No. Paid professionals often ascribe yes and no proclivities to What Happened in Your Childhood. I wonder if that is true.
Like every single one of us, Peter had challenges. So many of us will miss him.
He wrote beautiful songs, and sang when songs were needed. We certainly need more music now.
At some point in my mid-years I realized that life is like improv, or life is improv. The answer is always, “Yes.” It may be “yes and” or “yes, but,” but never, “No.” I seem to be hard wired that way, even when declining might have served me better.
This is a beautiful column, about a beautiful man. I met him only once or twice, though I was once mistaken for him (!).
I remember speaking with him, and esp. with Mary. when PP&M received the Tom Paine Award at the annual dinner of the ECLC,
of which my parents were proud members. How poignant it is to remember now that Jimmy Carter pardoned him
for his sexual indiscretion (that had put him in prison for 3 months) on his last day in office.
I have two might-have-been anecdotes to add to what you wrote, which I hope you'll share:
1. When I was driving Pete & Toshi Seeger to the train after David Dellinger's Riverside Church funeral,
I mentioned to him that Tony Saletan (the discoverer of "Michael, Row Your Boat Ashore")
had read and pointed out to me a passage in Lee Hays's autobiography, indicating that his lyrics for
"If I Had a Hammer" had been inspired by words in Marc Blitzstein's AIRBORNE SYMPHONY:
"Not without warning! Warning! Warning!" Pete said he hadn't known that before,
though of course he'd known Marc Blitzstein. (I've read their correspondence.)
But he then told me a story I hadn't heard before, but have repeated numerous times:
"Do you know why The Weavers didn't make that song a hit, but left it for Peter, Paul & Mary to do?
Because our manager, Harold Leventhal, said to us: 'I got you guys off the blacklist.
I don't want you going around singing about hammers and sickles!'"
And indeed, as you indicated, that song was prompted by the persecution of Benjamin Davis,
who was a Communist, and the song was in fact first sung at a Communist meeting.
I wonder how many people, including Congressman Tom Delay,
who called himself "The Hammer," realize that!
2. The other might-have-been anecdote I want to share with you is regarding The Triangle Fire.
Ellen Frankel and I wrote an opera about it, premiered at the American Labor Museum
on Labor Day, 2016, and then performed 5 times more in 2016-17 in NJ & NY with
The Metropolitan Philharmonic Chorus and the Solidarity Singers of the NJ Industrial Union Council,
including a Mar. 5, 2017 performance at Long Beach Public Library, introduced by Prof. Mary Anne Trasciatti,
and a final performance Mar. 25, 2017 at NYU (in the building where the actual fire took place),
thanks to Prof. Michael Beckerman. (See https://ljlehrman.homestead.com/TriangleFireFlyer.html )
An aria was sung by Helene Williams on Oct. 13, 2016 at The Lotus Club:
https://youtu.be/h63fHdH5A9U?si=_-fQ8lLZSUjcj96L
We offered to perform that aria at the dedication of the Triangle Fire Memorial, Oct. 12, 2023
(Helene's 80th birthday!) and thought our offer had been accepted, only to learn belatedly that there
was "no room" for us on the program. We were of course extremely disappointed,
and decided instead to attend a taping of The Late Show with Stephen Colbert.
But we were glad the event took place. Did Peter Yarrow in fact sing at it?
Thanks again for all you do. Please share, as you have before.
With much love -
Leonard (& Helene Williams Spierman) Lehrman